#Clarion 103a radio nostalgia air update

But, looking closer at the lone lights scattered across continents, you can still hear localism, alive and well, in a diversity of languages. Those lights represent radio stations, and spinning the map changes the sounds, enabling users to scan station signals from Albuquerque to Almaty, Kazakhstan.įrom our searching, we’ve discovered there are a surprising number of country music stations across Europe (including a particularly good one in Hof, Germany), which has reminded us that airwaves are still a vehicle for American soft power, as they have been for the better part of the last century.

It was to a website called Radio Garden, and the link revealed an interactive map that looked something like a zoomed out view of earth at night, with small lights clustered in cities around the world. And I had to deal with this.”Ī few months ago, a link started circulating in a few of our audio-related Slack channels at The Times. And then I went back to dinner and I was like, ‘Sorry, everyone, uh, we just bombed Syria. I was sitting on the stoop of a random apartment building in Dumbo, Brooklyn, updating this episode and sending it out to the stations that needed it.

#Clarion 103a radio nostalgia air update

Michael recorded an update to the episode and then I opened up our editing software, Pro Tools. I left dinner, went outside, used my phone as a hotspot, opened up my laptop and started chatting with Theo Balcomb and Michael Barbaro. I was monitoring the situation the whole time and I had my work computer with me because I knew I might need to work if news came out.

And then in the evening, the decision was made to send U.S. It came out in the morning and started to air on the radio stations throughout the day. President Trump had promised retaliation, but we didn’t know what that was going to look like, so the episode was speculative. “Back in 2018, we did an episode about how the Trump administration was going to respond to a suspected chemical attack that killed dozens of Syrian civilians. When experimenting with and setting up bulletproof processes, there was one big question they had to broach: What if news changes by the time the episode goes out to air? There were radio stations that didn’t air The Daily until the evening, and a few hours for a breaking news episode can be a death knell. Michael Simon Johnson, a producer who was part of the original team led by executive producer Theo Balcomb, helped make the show radio-ready in its early days. This was the case with Abel Oleson, the vintage shirt-wearing, mustachioed bartender in “ How a Small Bar Battled to Survive the Coronavirus,” our episode about a California bar. “Sometimes I have to cut whole sources,” she added. “Some days it’s really easy, some days it’s super hard,” said Diana, who recalls the mammoth 45-50 minute episodes we published during last year’s election cycle.ĭecisions about what to cut can also be heartbreaking.

Their goal: cutting down the episode, whatever the length, no matter the topic, to 22 minutes, the time allotted for our show on public radio - and delivering to those stations by 3 p.m. Nearly two years on, our radio reach has grown to hundreds of stations around the country, so we wanted to dedicate this newsletter to some of the work our small but mighty radio crew does that you might not know about.Įvery weekday, Diana Nguyen, a producer on our team, along with Marc Georges, an editor, works to bring The Daily to the hundreds of radio stations across the country that carry the show. Theo Balcomb, a founder of The Daily, shared in this newsletter some context on our show’s first foray onto the airwaves. The Daily officially came to radio in April 2018, premiering on 16 stations.